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Hopes and all but destroyed the magic of the movies. 21 Jump Street defies everythingĪudiences know about these sorts of movies, knowingly accepting its place in cinema and happily and willingly bucking the trend that's dashed
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Roots, and refuses to duck back under the safety net that's caught so many movies over the years. Jump Street is the gloriously fun and grossly over-the-top adults-only exception to the cookie cutter rule. Well, it's time audience wants finally collide with a studio re-imagining, when money spent is an honest good time earned. In other words, they find an excuse to go to the movies rather than go to the movies with an expectantĪnticipation.
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Studios see easy money, audiences see an air conditioned retreat anĮasy date an escape from reality a few maybe even something they genuinely want to see, believing this is it, this is when they will finally Subliminally hovering over every frame (particularly if the movie is in 3D). But at the same time, audiences happily part with their hard-earned moviegoing dollar for the same kind of nonsense week inĪnd week out, forking over what is now, it seems, a bundle of cash for the "privilege" of watching another tired remake, sequel, or project sourcedįrom something off the long-dead scrapheap, whatever it is probably replete with a stale plot, a clichéd script, a generic rhythm, dull characters, and Its premise, eschewing some half-baked, play-it-safe excuse for a motion picture with a genuine cinema surprise that's all-in and takes no easy wayĭespite what studios might think, audiences aren't stupid, and they want something that doesn't insult their intelligence or spark yet another case Reviewed by Martin Liebman, June 18, 2012Īll they do is recycle s#!t form the past and expect us not to notice.Ī little bit of honesty, a hint of integrity go a long way with audiences who want only a movie that acknowledges what it is and delivers full-on with Jump in and enjoy this excellent new spin on stale cinema.